I also had a chat with long-time friend-of-the-site Dave Cross, who’s now brought his controller expertise to Dubspot. But that’s just the beginning.Ĥ4 rotary knobs with single-color backlightingĮxpression pedal input (compatible with the Livid Master Fader) Ultra light and heavy-duty aluminum construction It’s not hard to see this alongside a Maschine or Push, for instance, with each of those lacking in mixing. The first thing they say in their press release is that they couldn’t find a single controller that did this kind of mixing for the student workstations in New York (and opening in LA). (Visualists, too, I imagine will be pleased.)Īnd Dubspot isn’t just getting into the hardware sales business. They could be the console for digital mixing in the laptop – where a lot of you do it anyway – or simply a more-rational layout for control for anything else. Instead, what you get is a whole bunch of knobs and faders, arrayed as you’d expect them to be on a mixer. The DS1 is sleek, clad in all-black, free of extraneous flashing lights and logos and labels. It’s taken New York-based learning center Dubspot to reignite that idea, in a controller collaboration with Dave Cross and Livid Instruments. Integration is great, but you need hardware for people who don’t believe in One Tool as religion. But as controllers have embraced digital design, the number of controllers that have the logical layout of a mixer has, remarkably, diminished.Īnd what really don’t have much of is a controller that’s truly DAW-agnostic. We’ve got iPads and things you wave around in the air. We’ve got fake platters and big, whirling plates. We’ve got grids, more grids, and disco grids.
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